Miguel might, if he speaks English, call the colors
of ukuleles stretching their necks from yards
of canvas duffel yoked across his shoulders,
auroral azul, cherry pop, or mojito green,
under this Pac Heights sky where the awful rich
snap their heels past shop windows, past goatskin bags
and spiked heels that bring them closer to heaven,
fibristic sheets of celadon paper from Zhejiang,
FIAT cremini, and Cinco de Mayo gelato.
Smiling past them, he passes with his happy load,
a display model whole and nude in his hand,
on sale to no one, uplifted like a Stratocaster
sacramental from mahogany forests in Paraguay.