call to all highly armed bohemians (four works already
ripped to shreds!) in future, the streetwar is to be
fought ‘away from art'. lamentation's polyvocal ohs and ahs
- but one was asphalted in the most concrete way. the

village vanguard still that very night. (so-called recognised)
resistance biographies lasting many years. Con-
sidering refractioning. On the one hand, the class-
specific interest in erecting new weimar (like:

read faster comrade / radical chic) at the same time
of course the wish to needlepoint the pillow goes on:
we will be well-read / the text is getting too short
for us. the hall fight ends refreshingly. committees

formed. what came since, merely: revolution
as pacified stylistic position. interrogation rooms are
then set up. wimpering about a question of life or
death: an I. ‘if I didn't take the side of experiment

the publisher would let me die of hunger, arms outstretched'.
the art watchman's unsympathetic, but all the same judg-
ments based on torturing principles. but - psychotic
systems often possess their own persuasive logic: schelling

already complained about hˆderlin's subversive hairdo
- all that hair and no comb! now we get used to so
much more: one outgrew his battle shoes and became
adult. the other got stuck in them, turned into song.

Translated by Brian Currid