I had a blueprint
of history
in my head —

it was a history of the martyrs
of love, the fools
of tyrants, the tyrants
themselves weeping
at the fate of their own soldiers —

a sentimental blueprint,
lacking depth —
a ruled axis X and Y
whose illusions
were bearable . . .
then unbearable . . .

In that blueprint, I wanted to speak
in a language
utterly other, in words
that mimicked
how one of Homer's warriors
plunges through breastplate
a spear past
breastbone, the spearpoint searching
through the chest
like a ray of light searching
a darkened room
for the soul
unhoused, infantile,
raging —
but my figure of speech,
my "ray of light" —
it was really a spearpoint
piercing the lung
of great-hearted Z
who feels death loosen
his knees, the menos
in his thumos
flying out of him —

the fate of his own soul
to confront me
beyond the frame:

no room, no X, no Y, no "ray of light,'
no menos, no thumos, no Z —

only sketched-in plane
after plane after plane
cantilevering upward and forever throughout space.