Tim Seibles

Philadelphia, Pennsylvania

Ode To My Hands

Five-legged pocket spiders, knuckled
starfish, grabbers of forks, why
do I forget that you love me:
your willingness to button my shirts,
tie my shoes—even scratch my head!
which throbs like a traffic jam, each thought
leaning on its horn. I see you

waiting anyplace always
at the ends of my arms—for the doctor,
for the movie to begin, for
freedom—so silent, such
patience! testing the world
with your bold myopia: faithful,
ready to reach out at my
softest suggestion, to fly up
like two birds when I speak, two
brown thrashers brandishing verbs
like twigs in your beaks, lifting
my speech the way pepper springs
the tongue from slumber. O!

If only they knew the unrestrained
innocence of your intentions,
each finger a cappella, singing
a song that rings like rain
before it falls—that never falls!
Such harmony: the bass thumb, the
pinkie's soprano, the three tenors
in between: kind quintet x 2
rowing my heart like a little boat
upon whose wooden seat I sit
strummed by Sorrow. Or maybe

I misread you completely
and you are dreaming a tangerine, one
particular hot tamale, a fabulous
banana! to peel suggestively,
like thigh-high stockings: grinning
as only hands can grin
down the legs—caramel, cocoa,
black-bean black, vanilla—such lubricious
dimensions, such public secrets!
Women sailing the streets
with God's breath at their backs.
Think of it! No! Yes:
let my brain sweat, make my
veins whimper: without you, my five-hearted
fiends, my five-headed hydras, what
of my mischievous history? The possibilities
suddenly impossible—feelings
not felt, rememberings un-
remembered—all the touches
untouched: the gallant strain

of a pilfered ant, tiny muscles
flexed with fight, the gritty
sidewalk slapped after a slip, the pulled
weed, the plucked flower—a buttercup!
held beneath Dawn's chin—the purest kiss,
the caught grasshopper's kick, honey,
chalk, charcoal, the solos teased
from guitar. Once, I played
viola for a year and never stopped

to thank you—my two angry sisters,
my two hungry men—but you knew
I just wanted to know
what the strings would say
concerning my soul, my whelming
solipsism: this perpetual solstice
where one + one = everything
and two hands teach a dawdler
the palpable alchemy
of an unreasonable world.
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