Prose poem Poems
Be Drunk
by Charles Baudelaire
You have to be always drunk. That's all there is to it--it's the
only way. So as not to feel the horrible burden of time that breaks
your back and bends you to the earth, you have to be continually
drunk.
But on what?Wine, poetry or virtue, as you wish. But be
drunk.
And if sometimes, on the steps of a palace or the green grass of
a ditch, in the mournful solitude of your room, you wake again,
drunkenness already diminishing or gone, ask the wind, the wave,
the star, the bird, the clock, everything that is flying, everything
......
The House Of Judgement
by Oscar Wilde
And there was silence in the House of Judgment, and the Man came
naked before God.
And God opened the Book of the Life of the Man.
And God said to the Man, 'Thy life hath been evil, and thou hast
shown cruelty to those who were in need of succour, and to those
who lacked help thou hast been bitter and hard of heart. The poor
called to thee and thou didst not hearken, and thine ears were
closed to the cry of My afflicted. The inheritance of the
......
Scented Leaves From A Chinese Jar :The Mermaid
by Allen Upward
THE SAILOR boy who leant over the side of the Junk of Many Pearls,
and combed the green tresses of the sea with his ivory fingers,
believing that he had heard the voice of a mermaid,
cast his body down between the waves..
Wilderness
by Carl Sandburg
THERE is a wolf in me ... fangs pointed for tearing gashes ... a red tongue for raw meat ... and the hot lapping of blood-I keep this wolf because the wilderness gave it to me and the wilderness will not let it go.
There is a fox in me ... a silver-gray fox ... I sniff and guess ... I pick things out of the wind and air ... I nose in the dark night and take sleepers and eat them and hide the feathers ... I circle and loop and double-cross.
There is a hog in me ... a snout and a belly ... a machinery for eating and grunting ... a machinery for sleeping satisfied in the sun-I got this too from the wilderness and the wilderness will not let it go.
There is a fish in me ... I know I came from saltblue water-gates ... I scurried with shoals of herring ... I blew waterspouts with porpoises ... before land was ... before the water went down ... before Noah ... before the first chapter of Genesis.
There is a baboon in me ... clambering-clawed ... dog-faced ... yawping a galoot's hunger ... hairy under the armpits ... here are the hawk-eyed hankering men ... here are the blond and blue-eyed women ... here they hide curled asleep waiting ... ready to snarl and kill ... ready to sing and give milk ... waiting-I keep the baboon because the wilderness says so.
......
Prose Poems
by Michael R. Burch
PROSE POEMS by Michael R. Burch
These are prose poems, experimental verse and free verse by Michael R. Burch. The first prose poem, “Something,” was the first poem I wrote that didn’t rhyme, around age 17–18.
Something
―for the children of the Holocaust and the Nakba
by Michael R. Burch
Something inescapable is lost—lost like a pale vapor curling up into shafts of moonlight, vanishing in a gust of wind toward an expanse of stars immeasurable and void.
......
Bonfire
by Pallab Chaudhury
Being keen in fireworks
Looking busy with dry leaves and branches
Equating fuel and heat with times...
Got your hand and leg warmed-up already?
Its the skin through which transfer of heat
Is possible from interior to the exterior.
As the eye and face warms up
It leads to a bonfire
On the body yard...
......
Prose Poems
by Michael R. Burch
PROSE POEMS by Michael R. Burch
These are prose poems, experimental verse and free verse by Michael R. Burch. The first prose poem, “Something,” was the first poem I wrote that didn’t rhyme, around age 17–18.
Something
―for the children of the Holocaust and the Nakba
by Michael R. Burch
Something inescapable is lost—lost like a pale vapor curling up into shafts of moonlight, vanishing in a gust of wind toward an expanse of stars immeasurable and void.
......
Wilderness
by Carl Sandburg
THERE is a wolf in me ... fangs pointed for tearing gashes ... a red tongue for raw meat ... and the hot lapping of blood-I keep this wolf because the wilderness gave it to me and the wilderness will not let it go.
There is a fox in me ... a silver-gray fox ... I sniff and guess ... I pick things out of the wind and air ... I nose in the dark night and take sleepers and eat them and hide the feathers ... I circle and loop and double-cross.
There is a hog in me ... a snout and a belly ... a machinery for eating and grunting ... a machinery for sleeping satisfied in the sun-I got this too from the wilderness and the wilderness will not let it go.
There is a fish in me ... I know I came from saltblue water-gates ... I scurried with shoals of herring ... I blew waterspouts with porpoises ... before land was ... before the water went down ... before Noah ... before the first chapter of Genesis.
There is a baboon in me ... clambering-clawed ... dog-faced ... yawping a galoot's hunger ... hairy under the armpits ... here are the hawk-eyed hankering men ... here are the blond and blue-eyed women ... here they hide curled asleep waiting ... ready to snarl and kill ... ready to sing and give milk ... waiting-I keep the baboon because the wilderness says so.
......
The Secret Of Light
by James Arlington Wright
I am sitting contented and alone in a little park near the Palazzo Scaligere in Verona, glimpsing the mists of early autumn as they shift and fade among the pines and city battlements on the hills above the river Adige.
The river has recovered from this morning's rainfall. It is now restoring to its shapely body its own secret light, a color of faintly cloudy green and pearl.
Directly in front of my bench, perhaps thirty yards away from me, there is a startling woman. Her hair is black as the inmost secret of light in a perfectly cut diamond, a perilous black, a secret light that must have been studied for many years before the anxious and disciplined craftsman could achieve the necessary balance between courage and skill to stroke the strange stone and take the one chance he would ever have to bring that secret to light.
While I was trying to compose the preceding sentence, the woman rose from her park bench and walked away. I am afraid her secret might never come to light in my lifetime. But my lifetime is not the only one. I will never see her again. I hope she brings some other man's secret face to light, as somebody brought mine. I am startled to discover that I am not afraid. I am free to give a blessing out of my silence into that woman's black hair. I trust her to go on living. I believe in her black hair, her diamond that is still asleep. I would close my eyes to daydream about her. But those silent companions who watch over me from the insides of my eyelids are too brilliant for me to meet face to face.
The very emptiness of the park bench in front of mine is what makes me happy. Somewhere else in Verona at just this moment, a woman is sitting or walking or standing still upright. Surely two careful and accurate hands, total strangers to me, measure the invisible idea of the secret vein in her hair. They are waiting patiently until they know what they alone can ever know: that time when her life will pause in mid-flight for a split second. The hands will touch her black hair very gently. A wind off the river Adige will flutter past her. She will turn around, smile a welcome, and place a flawless and fully formed Italian daybreak into the hands.
......
The Doer Of Good
by Oscar Wilde
It was night-time and He was alone.
And He saw afar-off the walls of a round city and went towards the
city.
And when He came near He heard within the city the tread of the
feet of joy, and the laughter of the mouth of gladness and the loud
noise of many lutes. And He knocked at the gate and certain of the
gate-keepers opened to Him.
......
