Dust and blackberry carried on the wind,
sand moving hand over hand
in the dunes, memory,
like invisible paper, ribbons away
from the dead pulp mill.
We want proximity with how we feel
but it expands and divides.
The neighborhood is cold.
Across the street an old friend lives
her early widowhood,
leaves her houselights blazing
through the night. My mother
finds herself at her piano bench,
shuffling lieder. I listen, pressed
to my bedroom wall,
the hollow pedal-thump,
dust and Chopin moving through the room
on the back of the sun, parasites
on a whale of descending light.
My grandfather is dying, there's light
around my mother.
Georgia Pacific's closing its mills
for the last time in the ‘80s.
My father no longer raises
stickered 2x4s into the machined night.
What black keys does he hear
as he waits at the D.M.V.
for an endorsement to drive a cab?
The light around my mother
is the light of magnitude.
If it's winter in this memory,
then cities of grief expand
in each drop of rainwater
and my mother positions her hands.
Offshore, one whale sings to a distant other
in a way that leaves
whatever's between stunned,
the presence of song
rising toward its listener.
A light sprinkling of rain
ignites the scent of skunk cabbage
in the ravine behind our house.
The fir trees nudge each other
in the slight wind.
My mother's left hand is grief,
her right, beauty.
She plays on the upright
with such patience, each note alone
makes its ringing orbit.
Somewhere in the future
I look up from the block-ice
I've been stacking
nine-high-a-pallet at the marina.
The wind kicks its low hum up the trees
and fingertips of light
pull along the shore.
Whatever's moving toward me
has lit the salt fire of my lips.
I crane my neck
for the long look back.
My life is immense.