Judith Beveridge

1956 - / United Kingdom

Bahadour

The sun stamps his shadow on the wall
and he’s left one wheel of his bicycle
spinning. It is dusk, there are a few minutes

before he must pedal his wares through
the streets again. But now, nothing
is more important than this kite working

its way into the wobbly winter sky.
For the time he can live at the summit
of his head without a ticket, he is following

the kite through pastures of snow where
his father calls into the mountains for him,
where his mother weeps his farewell into

the carriages of a five-day train. You can
see so many boys out on the rooftops this
time of day, surrendering diamonds to

the thin blue air, putting their arms up, neither
in answer nor apprehension, but because
the days tenders them a coupon of release.

He does not think about the failing light,
nor of how his legs must mint so many steel
suns from a bicycle’s wheels each day,

nor of how his life must dropp like a token
into its appropriate slot; not even
of constructing whatever angles would break

the deal that transacted away his childhood –
nor of taking some fairness back to Nepal,
but only of how he can find purchase

with whatever minutes of dusk are left
to raise a diamond, to claim some share
of hope, some acre of sky within a hard-fisted

budget; and of how happy he is, yielding,
his arms up, equivalent now only to himself,
a last spoke in the denominations of light.
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