John Mateer

1971 / Johannesburg

Mall of the Emirates

We don't use the word 'exile' anymore,
despite meeting in the Mall of the Emirates,
that hyperbolic cave, ordering what is expensive
peasant food, while contemplating our prospects
on two or, maybe, three continents,
confessing that we no longer return to our natal countries.
We're unlike our taxi drivers, with our perpetually
renewable visas and self-conscious amnesia,
even if we, too, could forever cruise down Dubai's freeways,
reminiscing on the stupas of Anuradapurna,
how in the sunlight they glint like rice bowls overturned.
In consolation we have what used to be Literature,
its metamorphosis, those phantoms, our other lives.
Or isn't it the other way round? Haven't we been expelled
from the Garden of Nothingness to wander, decade-long,
lost in thought, imagining Al Muteena Street as an avenue in Tunis,
grey palm trees attempting shadow against gilded exhaust haze?
Ali, remember that dream you told me of: Hafiz
appearing to an Australian scholar, nominating him
his Interpreter? That's probably how we ended up here
in this extravaganza of shops, this oasis,
as a poem born on the tip of another's tongue,
as perfectly translatable synonyms for that word: 'exile.'
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