It's not the birds that are spectres,
they come in afternoon, true,
swing by the air, song-filled passes,
that branches come to ground, falling
with dryness and shadows, remembering
midnights rather than afternoons,
declining drugs rather than passing shots
to make shadows in the lens that swings
the casual reach through spectacle
of shadows on a dance floor and wings
flashing off drags, or you, queer bird,
dropping each sequence twisting in and out
of presence, the dry air that falls like a truism
once you've left the afternoon filling
its own spectre of west light and husks
of autumn that birds let fall, that grounds
fill as fallen, dance for earthed shadows,
the passing sequence husked with
casual twists of a lens through its stops
as if the machinery could drag light back
again, dancing jewels, red and green feathers
flashing a pass, a queer shot the sun's moment
holds, not yet declining.
with dryness and shadows, remembering
midnights rather than afternoons,
declining drugs rather than passing shots
to make shadows in the lens that swings
the casual reach through spectacle
of shadows on a dance floor and wings
flashing off drags, or you, queer bird,
dropping each sequence twisting in and out
of presence, the dry air that falls like a truism
once you've left the afternoon filling
its own spectre of west light and husks
of autumn that birds let fall, that grounds
fill as fallen, dance for earthed shadows,
the passing sequence husked with
casual twists of a lens through its stops
as if the machinery could drag light back
again, dancing jewels, red and green feathers
flashing a pass, a queer shot the sun's moment
holds, not yet declining.