Cate Marvin

1969 / Washington, D.C.,

The Pet

I rode him through the village, smiling.
He tossed his tasseled mane in distress.
The villagers took his gesture as vanity,
and made no attempt to rein him back.
Camped at night by stream and fire,

he seemed to think stories were in order.
The ghoulish tales twisting out his mouth
no longer frightened me. On leaving,
I'd taken on a certain complacency. Later,
he'd characterize my silence as merely

mean. But what is mean about a mouth
that, having no stories, claims it can provide
no flower for the ear, no wine for the wind?
I tried: I told the tale of him, which he
(the version being mine) was not much

interested in. But all of us, the fattening
moon, the yewey trees, the sharp-toothed
stars who combed their glowing backs against
the sky like cats: we laughed. And now
that I had left, where would I take him?

He was vehicle and, as such, responsibility.
He was deadening, tiresome, and necessary.
I made ourselves a home and kept him gently
as a pet. Visitors often wonder aloud,
How do you manage to keep such a creature

inside? The floors are stained with his keep.
I tell them my heart is huge and its doors
are small. Once I took him in he grew. Now
I cannot remove him without killing him,
which, frankly, I have never wanted to do.
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