Meandering across a field with wild asparagus,
I write with my body the characters for grass,
water, transformation, ache to be one with spring.
Biting into watermelon, spitting black seeds
onto a plate, I watch the eyes of an Armenian
accordion player, and before dropping a few
euros into his brown cap, smell sweat and fear.
I stay wary of the red horse, Relámpago, latch
the gate behind me; a thorned Russian olive
branch arcs across the path below my forehead,
and, approaching the Pojoaque River, I recall
the sign, beware pickpockets, find backhoe tracks,
water diverted into a ditch. Crisscrossing
the stream, I catch a lightning flash, the white-
capped Truchas peaks, behind, to the east, and in
the interval between lightning and thunder,
as snow accumulates on black branches,
the chasm between what I envision and what I do.